Dec 20, 2015

Nice write up about THE YETI IN THE AIRPORT LOUNGE

My little playlet THE YETI IN THE AIRPORT LOUNGE got a nice little write-up in the Dallas Observer.

IN 10 SHORT NEW PLAYS, N47 THEATRE EXPLORES THE HIGHS AND LOWS OF HOLIDAYS
By Elaine Liner | December 18, 2015 | Dallas Observer

DeWayne Blundell, in snowbeast drag, listens to Andra Laine Hunter’s monologue in
Brad McEntire’s 
The Yeti in the Airport Lounge.
Of the 90 scripts submitted to N47 (formerly Nouveau 47 Theatre) for this festival, 10 were picked to put on the stage, each about 10 minutes long. A couple of the scripts are real standouts, though you’ll sit through some Debbie Downers (about the dead moms) to get to the good stuff. And they are Scrooge-budget productions. A few chairs and a folding table or two make up the scenery. Six actors zip in and out of each of the shows. Alex Bigus, Jim Kuenzer, Rebecca McDonald and Nic McMinn share directing credit. Erin Singleton produced all of it.

If there’s a running theme in this year’s entries in N47 Theatre’s A Very Nouveau Holiday mini-fest at the Margo Jones Theatre in Fair Park, it’s that Christmas just isn’t the same after Mom dies. Or if you’re stuck at the airport with the Abominable Snowman. Or if a comic book super hero can’t bring you out of your coma. You know, the usual fa-la-la-derol.
. . .

Brad McEntire’s The Yeti in the Airport Lounge, directed by Kuenzer, finds a chatty woman (Hunter) stuck in a waiting lounge next to a patient Arizona-bound Himalayan snowbeast (DeWayne Blundell in head-to-paw white fur). Yeti listens as his fellow traveler unloads her woes in a rapid-fire monologue about a wayward boyfriend, her fear of going back home alone for the holidays and her personal issues about control and abandonment. Yeti never says a word, just offers the lady a juice box and a big fuzzy shoulder to cry on. A little dance party erupts. A friendship is made. And McEntire’s playlet reminds us that anonymous airport oversharing sometimes helps pass the time between flights.


Full review... HERE


Dec 9, 2015

Author interview on AwesomeGang.com

I was recently interviewed on the website AwesomeGang.com. The tagline for the site is "Where Awesome Readers Meet Awesome Writers." The interview coincided with the recent release of the Kindle ebook version of my play I BROUGHT HOME A CHUPACABRA.


Tell us about yourself and how many books you have written.

I BROUGHT HOME A CHUPACABRA is my first Kindle book. Years ago I published a collection of plays simply called TWO PLAYS (AND SOME SKETCHES) BY BRAD McENTIRE, but it is now out of print. I also did a short ebook on theatrical solo performance a while back called 7 CONSIDERATIONS FOR THE SOLO PERFORMER. 

I have a paperback collection of comics available called I HATE HAWK SEASON as well. It can be found on Amazon. It is a collection of comics that originally appeared on the webcomic site Dribble Funk Comics. The series is named after the main character Donnie Rocket Toaster-Face.

What is the name of your latest book and what inspired it?

I BROUGHT HOME A CHUPACABRA was inspired by my wife. She is a supreme dog person. I mean, she wanders straight up to dogs when she first meets them and gets all up in their faces. I am always worry that she will someday get bitten in the face.

She’s also the kind of person who when she hears about, say, traffic accidents that involve people and their pets, she cries because animals were hurt (nevermind those pesky humans who also might have suffered…)

I thought, what if she was this obsessive about something that was not a dog. What if it was a mythical beast of some kind? Thus was the seed of I BROUGHT HOME A CHUPACABRA planted.

Do you have any unusual writing habits?

The unsual thing is, I don’t have really any steady writing habits at all. I get an idea, then let it percolate in my brain for a while. Then I lay it down on paper in a mad dash. Then rewrite as needed.

I wish I coul be one of those people who sits down every day and turns out so many hundreds of words like clockwork.

What authors, or books have influenced you?

In the theatre, I am influenced by the works of Samuel Beckett, Mickle Maher and David Mogolov. 
In a wider scope, I like Hemingway a lot. And William Gibson. And Elizabeth Gilbert.

Walt Disney has had a big effect on me, too. Does that count?

What are you working on now?

My latest play is called THE YETI IN THE AIRPORT LOUNGE and will go up in Dallas in December 2015.

Also, I'm directing a play I co-wrote with my friend Jeff Hernandez called NIGHT OF THE TARANTUBEARS. It goes up early next year.

What is your best method or website when it comes to promoting your books?

This one, here on the AesomeGang website, maybe?

Actually, I have gotten a lot of traction with Facebook.

Do you have any advice for new authors?

Well, I'm sort of a new author myself, but here is something that helped me...

Ignore that phrase “Write what you know.” Ignore it because, seriously, what’s the alternative? Writing what you don’t know?

As an alternative I would offer “Write what you wanna see.” This one works if you are writing for the stage. If you are writing for readers, then phrase it like this… “Write the book you would want to read.”

What is the best advice you have ever heard?

Fight to stay excited. I heard that from a graphic designer named Brandon Rike.

What are you reading now?

I am actually reading non-fiction at the moment. I am almost done with T. Harv Eker’s SECRETS OF THE MILLIONAIRE MIND.

What’s next for you as a writer?

I am working on another one-person show about a man with one of the highest IQs in the world. He may have solved one of the biggest problems plaguing humanity, but because he has a heavy southern accent and no credentials he is overlooked by the academic system. The working title of that one is called BARTHOLOMEW CLADWELL COULD SAVE US ALL.

If you were going to be stranded on a desert island and allowed to take 3 or 4 books with you what books would you bring?

I’d bring a collection of Shakespeare, of course. I’d also probably take the collected stories of Hemingway, MEDITATIONS by Marcus Aurelius, Peter Brooks’ THE EMPTY SPACE and a book called ZEN AND THE ART OF MAKING A LIVING by an author named Laurence Boldt. That last one is actually filled with way more than the title implies.


Brad McEntire’s Social Media Links
Twitter Account
Pinterest Account


Original post... HERE


Dec 7, 2015

I am on the New Play Exchange


I was reminded recently on Facebook by my good friend/colleague Greg Romero that I am listed on the New Play Exchange.

I signed up months and months ago. I figured I should give a heads up here on the blog. 

Visit me there... HERE

Nov 29, 2015

Pics from DINOSAUR AND ROBOT STOP A TRAIN

These photos are from the Sundown/ Audacity co-production that just ended its month-long run. The production featured Janelle Schroeder as Dinosaur and Robert Linder as Robot.




With audience volunteer






Nov 11, 2015

Neat little write-up about Dinosaur and Robot on DiscoverDenton.com

DINOSAUR AND ROBOT STOP A TRAIN
By Chris David Taylor | Sun. Nov. 8, 2015 | DiscoverDenton.com
Robert Linder and Janelle Schroeder in DINOSAUR AND ROBOT STOP A TRAIN
Friday night I found myself out on the town looking for something to do, and the Sundown Collaborative Theatre/Audacity Theatre Lab co-production of Brad McEntire’s “Dinosaur and Robot Stop a Train” fit the bill.
First produced as part of the Dallas’s FIT Festival in 2013, McEntire and Sundown have restaged this delightfully absurd piece of theatre in little d for two weekends before continuing for two more weekends in the historic Margo Jones theatre in Fair Park.
I wandered over from the always enjoyable Eastside, past the music pouring from the LSA Burger stage and into the Point Bank Black Box Theatre on Hickory. A simple set graced the space, a folding table, a projector and two small models of what I assumed were the stars of the show. McEntire’s work, which I am fairly familiar with, usually has an air of the whimsical and the nostalgic about it, the pre- show sound design adequately prepared me for the show to come. Snippets of old time radio static interspersed with news bulletins about missing ice cream and a coming news conference let me know what the format of the show was going to be.
Formatted like a press conference explaining their actions, a Dinosaur and Robot are brought from their respective time periods in an unexplained phenomenon at just the right moment to save a human girl playing on the train tracks near her house. The train is destroyed and the girl is allegedly saved, although she never makes an appearance for reasons that become clear later on.
Robot, played by Robert Linder, is the main spokes-robot in the play and he introduces his colleague who appears to be a Tyrannosaur played by Janelle Schroeder. We get the backstories of both characters and then jump to the present/past to hear about the incident referred to in the title of the show.
“Dinosaur and Robot Stop a Train” is mostly-family friendly and full of lighthearted jokes, physical humor and even some vaudeville as it can only be performed by a Dinosaur and Robot.
Dinosaur and Robot Stop a Train
Runtime: 1 hr. 5 mins.
Credits: Written and Directed by Brad McEntire
Sound Design by Danica Bergeron
Lighting Design by Jack Earl Piland
Cast: Robert Linder as Robot, Janelle Schroeder as Dinosaur
Original post... HERE


Nov 9, 2015

I BROUGHT HOME A CHUPACABRA now an ebook

Get your own copy of this delightful monologue show about a young woman who realizes maybe, just maybe, she connects with animals way more than with people...


Get your copy... HERE