Mar 15, 2014
4th Annual Monologue Jam coming soon...
The 4th Annual Monologue Jam, sponsored by the Alternative Comedy Theatre, will be held at Cafe Bohemia in Plano, TX on March 22, 2014. I will be hosting again.
9 PM ~ $5 at the door
2320 Los Rios Blvd, Suite #105, Plano, TX 75074
(NE corner of Los Rios and Park)
Mar 13, 2014
Nice mention of ROBERTS ETERNAL GOLDFISH in the Dallas Observer
Out of the Loop Festival Brings 19 shows to WaterTower Theatre
By Elaine Liner | DallasObserver.com | Thursday, Mar 13 2014
...
Audacity Theatre Lab's Roberts' Eternal Goldfish, written and performed by Brad McEntire, was a Loop standout (not running the second week). A bitter man, once left stranded in the ocean during a family snorkeling trip, has a life-altering epiphany thanks to a seemingly unkillable pet goldfish. McEntire's an expert at swimming solo onstage, charming the audience with sly looks and inventive storytelling.
Original post HERE.
ROBERTS ETERNAL GOLDFISH in PegasusNews.com
Robert's Eternal Goldfish: Audacity Theatre Lab
Reviewed by Richard Blake | PegasusNews.com | March 11, 2014
I’ll never look at a goldfish the same way again... ever!
In this one-man show created and performed by Brad McEntire, you come face to face with Mr. Charlemagne J. Roberts. Roberts has a huge problem with people -- all people. One day he becomes the unlikely custodian of a magical goldfish, and Roberts' misanthropic view of the world is seriously challenged.
I have the utmost respect for one-man/woman shows and the ability of one performer to hold an audience captivated. It is a tremendous task to accomplish, and to do it with excellence as McEntire does for about an hour, is a testament to his outstanding level of talent!
His character is engaging, illicit, antagonistic, and sometimes on the verge of a bit psychotic, yet every moment you hang on his every word, always wondering where he is taking you on this seemingly disjointed journey of self-awareness and discovery. There are sections where he directly engages the audience, either for motivation or out of the sheer joy of causing patron uneasiness, but whatever the actual reason, it’s brilliantly done. In the end, you discover yourself looking at his character with a different emotional understanding than when you begin, and a sense of compassion that comes from a place you can’t describe.
McEntire is also the playwright, and in that arena he also shines. His character has an arc, albeit a strange and seemingly psychotic one, but it is there and it’s very powerful to watch evolve. The story takes you on a precisely laid out journey through one man’s psyche while making you feel like you shouldn’t be there, listening. The comedic elements allow necessary relief, and filter the sometimes harsh and intense moments. Without them, the story would be so overwhelming, you would lose interest.
Robert’s Eternal Goldfish works, and McEntire does everything perfectly in his writing, only overshadowing it with his stellar performance in it!
Original post HERE.
ROBERTS ETERNAL GOLDFISH in DallasNews.com
All part of the show: ‘Out of the Loop’ actors interact with the audience
Nancy Churnin | DallasNews.com | March 10, 2014
ADDISON — Immediacy has always proved the trump card of live theater — the sense of being there that no filmed version of entertainment can truly match. As if sensing that advantage and emphasizing it, several programs in this latest roundup of the 2014 Out of the Loop Fringe Festival include performers who interact with the audience. WaterTower Theatre’s 10-day annual celebration of theater, music, dance and art continues through Sunday.
...
‘Robert’s Eternal Goldfish,’ by Audacity Theatre Lab
Like a cross between Seinfeld’s George Costanza and comedian Lewis Black, Brad McEntire berates an audience member for something he accuses her of thinking. With a little tightening and shortening, McEntire could make this journey — from a man filled with hate to one transformed by the kindness of a stranger and a goldfish — even more moving and funny.
Original post HERE.
Mar 10, 2014
ROBERTS' ETERNAL GOLDFISH... NOT mentioned in Front/Row Blog
This is by far might be my favorite review ever...
03/8/2014 | D Magazine Front/ Row Blog | BY LIZ JOHNSTONEPOSTED IN THEATER & DANCE.
Robert’s Eternal Goldfish.
Speaking of stories, here’s a funny story about this play, put on by Audacity Theatre Lab. Thought we had a 15 minute intermission. Returned eight minutes later (I timed myself on my phone, in case you’re wondering). Door was shut, show was in progress. It’s too bad, really, because I mostly hate fish and I was looking forward to having some sort of epiphany.
See it? Heck if I know.
Stone Cottage. Repeats Mar. 8, 8:00 pm and Mar. 9, 5:00 pm.
Original post HERE.
Mar 9, 2014
ROBERTS ETERNAL GOLDFISH review in TheaterJones.com
Loop Review: Beware of Plastics / Robert's Eternal Goldfish
In this odd double bill of Actor's Conservatory Theatre and Audacity Theatre Lab, Brad McEntire once again proves himself a master storyteller.
TheaterJones.com | by Kris Noteboom | published Saturday, March 8, 2014
...
If the first show in this double feature was the beginners, then Audacity Theatre Lab’s Robert’s Eternal Goldfish is the master. Created and performed by Brad McEntire, he plays Charlemagne J. Roberts, a man filled with hate.
He begins by recounting a tale of a snorkeling excursion gone wrong. This lays the groundwork for his generally negative outlook towards life. However, after a chance and tragic encounter with his polar mood opposite, a particularly cheerful young woman, Roberts finds himself buying a goldfish in tribute to her.
Of course, being such a sad sack, Roberts soon grows tired of the fish and flushes it. But, there’s something wrong. This fish doesn’t seem to die.
One of McEntire’s many talents is being able to couch very real meditations on life into extraordinary stories. This show allows him to flash his bad boy side with hilarious ends. Normally a very pleasant man, it’s a lot of fun to see McEntire mean and complain about everything. His commitment to the role is believable and laugh inducing. Yet, when it’s all said and done, both Roberts and the audience learn a little something.
This double feature performance is a strange pairing. The shows have nothing in common and represent a huge gap in talent and experience. That said, it’s worth giving the girls of Beware of Plastics a chance, if only to get to the awesome Roberts’ Eternal Goldfish.
original post HERE.
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