Aug 9, 2019

Behind-the-scenes of The Beast of Hyperborea



I created a new one-man show recently called The Beast of Hyperborea. I essentially wrote, designed and rehearsed it in about 5 weeks, which is a highly concentrated time-frame for me. In two recent episodes of my podcast The Cultivated Playwright, I discuss that rather stressful process leading up to the world premiere. In particular, I discuss the resistance I came up against that drained my time, energy, concentration and confidence. I also address seeing the project through, despite teetering on creative burnout.
In the second part, I explain how opening night went and how I deal with creative burn out.
Listen to the first part (episode 17)... HERE. The second part (episode 18) can be heard... HERE.
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Aug 2, 2019

Nice Write-up about HYPERBOREA on SharpCritic.com


Nice write-up from Christopher Soden on SharpCritic.com

This summer the annual Festival of Independent Theatres featured short plays addressing the theme of Coming of Age. The six I attended were: Leos Ensemble – small hours (Directed by Nick Leos) Lily & Joan Theatre Company Marilyn, Pursued by a Bear (Directed by Emily Burgardt) Imprint Theatreworks – Dirty Dirty Night Squirrel (Directed by Taylor Mercado Owens) WingSpan Theatre, Co – Jo & Louisa (Directed by Susan Sargeant ) The Very Good Dance Theatre – The 1st Annual Gay Show (Directed by William Acker; Choreographed By Danielle Georgiou) Audacity Theatre Lab – The Beast of Hyperborea (Created by Brad McEntire). Some evinced better than others, though just as in past summers, each had its particular quirks, its peculiar charms.

. . .


Brad McEntire’s The Beast of Hyperborea features an accountant who is horns-waggled into a trip to a remote island in search of a legendary monster. Like poor Bilbo Baggins, he’s not the least interested in risking physical and/or emotional harm for the sake of mind-bending adventure. Beast is a fairly traditional narrative souped up by McEntire to appeal to contemporary audiences. There’s a strong, able-bodied lady, who smokes cigars, and embraces danger with gusto. There’s a misogynistic, stuffy buffoon, a Baron proficient in the martial arts, and a Captain who’s more about canny nerve than bloviating. McEntire knows how to blend the touching with the fanciful, the astonishing with gravitas. While he sometimes seems to be winking at us, at other times his credulity gives this vivid monologue substance and humanity.
The Bath House Cultural Center presents: The 21st Annual Festival of Independent Theatres: Coming of Age, playing July 12th _ August 3rd, 2019521 East Lawther Drive, Dallas, Texas 75218. 1-800-617-6904.       www.festivalof independenttheatres.org
See original post... HERE
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