Showing posts with label frontier grit. Show all posts
Showing posts with label frontier grit. Show all posts

Aug 21, 2026

Frontier Grit premieres

Performing Frontier Grit basically in the lobby of the Retreat at Carrollton.
[photo snapped by Holly Bagwell]

I am on the hustle for a while, like the old days. One idea I had was a short (40-45 minute) storytelling show about real-life events from the 1800s, from the American frontier. I am fascinated with that time period after the American Revolution thru the beginning of the 1800s up until the Civil War. 

I started working on it last month. I have been tinkering on a bunch of plays since the beginning of the year, but this was the first write-then-perform-it project I have had to sit down and see through to completion in a hot minute. The turn-around was faster than a lot of my shows usually are. Instead of several months, this was several weeks. And on this one, I was trying something new. Or new to me, at least.

I was trying straight-up storytelling this time. This meant I didn't need to stage a whole show and play a bunch of characters. Just a detailed recounting of a singular event.

People often confuse a one-person theatrical show with storytelling, just as they confuse stand-up comedy with storytelling sometimes. Solo performance is theatre. A solo play can span however much time it needs. It has a cohesive theme and is often fictional. It has a solid narrative structure, but the story is told from within, by the characters themselves. Storytelling, at least in its contemporary conception, concerns a single event, told by either the person if happened to or by an outside non-diagetic narrator. It is often nonfictional. The biggest difference is that theatre is acted, stories are told.

So, this was a tiny step outside my usual wheelhouse. 

The stories I chose to retell featured John Colter, a mountain man from the early 1800s who barefoot and naked outran a Blackfoot war party; Pamelia Mann, who loaned a yoke of oxen to General Sam Houston's Texas Army during the Texas Revolution and then personally confronted Houston to reclaimed her property; and Kit Carson who in his mid-twenties fought a duel with a towering French-Canadian trapper to defend the woman he loved.

I called the collection of three stories Frontier Grit. I was still memorizing and rehearsing earlier this week.

Memorizing is my least favorite part of performing. It is a slow, arduous process that has no real shortcuts. It is hard and requires uninterrupted focus. Lately, as I juggle many projects and most of it is done at a computer, memorizing these stories was a good reminder that somethings just take time and effort. One has to slow down. It is humbling and frustrating to have to stick with one project for days at a time, sometimes weeks. This means I can't launch into something else. For a while one, difficult thing occupies my entire world.

I don't mind doing hard things. In fact, I feel I am predisposed to tackle more grueling, challenging things more so than a lot of the people around me. But sometimes, I need a stiff reminder. Sometimes, I need something to throw me into the briar patch. This process was a good reminder about all this.

My friend Holly helped me set up a gig for me at the senior living facility she works at. It is called Retreat at Carrollton. She had set me up last summer with a few gigs at other senior facilities where I performed my solo show Robert's Eternal Goldfish.

So, yesterday, August 20th, Frontier Grit had its first audience. The show went relatively well. I felt about 80-85% about the whole thing. The folks at Retreat seemed to dig it. There were maybe a dozen and a half spectators.

It definitely needs to be tightened up and, dare I say, some staging. Now it is just a guy standing basically stationary for 45 minutes in the middle of the room. Visually, it has no levels..

I am so grateful for the opportunity to share my art with folks no matter where I am performing. 


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